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Does matthew mcconaughey to the vocal portion of john murphy in the house in a heartbeat?10/26/2022 ![]() ![]() The film and recording both remind us that while everything about The Family Stone was great, trumpeter and singer Cynthia Robinson could become the star of the show whenever she wanted. Sly & The Family Stone turn in superb performances of “Sing a Simple Song” and ”“Everyday People,” and Sly sounds a lot happier to be here than he did at Woodstock right around the same time. Thompson wisely saves the main attractions for the end of the album. ![]() Pops Staples is a revelation, simply tearing his guitar apart. The soundtrack goes to church, too, bringing out The Edwin Hawkins Singers, The Staples Singers and Mahalia Jackson. Abbey Lincoln and Max Roach are practically regal on “Africa.” In the film, they’re depicted as a music power couple, and they sound like it. We get a big blast of Fania bona fides from Mongo Santamaria and Ray Barretto, both rivetingly expressive. King, David Ruffin, Gladys Knight & The Pips. We get blues, soul and R&B from legends like B.B. It all kicks off appropriately with the Chamber Brothers ripping through “Uptown,” then, just as the festival did, the music goes all over the map. While the soundtrack can’t possibly contain everything the film does, Questlove cherry picks its best appearances (within reason - Stevie Wonder’s music was apparently unavailable, and Sonny Sharrock is also absent). It features footage of performers and audience members that laid dormant for over 50 years, all filmed at Mt. Summer Of Soul describes the festival as “Black Woodstock” from the outset, hosting “a sea of Black people” - an estimated audience of 300,000. ![]() The soundtrack to that film is out this week. All of this is the focus of renowned drummer and all-over hyphenate Ahmir “Questlove” Thompson’s new documentary Summer Of Soul, which won the Grand Jury Prize and Audience Award at the Sundance Film Festival and is streaming now on Hulu. #Does matthew mcconaughey to the vocal portion of john murphy in the house in a heartbeat? series#The Harlem Cultural Festival ran from late June to late August in 1969, and was a stacked deck of then-current talent drawn from jazz, blues and more, presented as a series of concerts in New York City. As to the aforementioned “needle-drop” on Moments Inside, vinyl LP pressings of the album (currently on CD and streaming) will be coming this spring and are available for preorder now. Moments Outside will be available in 320K mp3 and 24-bit FLAC formats, as well as on streaming services worldwide. The 24-minute, unedited track manifests as a suite of sorts, with moments of flux resolving into passages of collective cohesion like a completely realized, fully formed piece of music. Other highlights include Allison’s “The Chase,” with its expressive guitar flourishes and a killer electric bass solo the saudade “Milton,” named for the Brazilian popular music star Milton Nascimento the hero’s-journey spirit of “Voyage Of The Nautilus,” driven by ascending guitar arpeggios and rapid-fire mallet work the perpetually descending, ever-steady footfalls of the extended blues “Breakfast With Eric” and the gathering R&B patter of Herbie Nichols’ 1955 gem “House Party Starting.” Toward the end of the Moments Inside sessions, Allison and the gang carved out time to record a collective improvisation, which Sonic Camera will release as the companion piece Moments Outside on Feb. For anyone who’s been stuck indoors lately, the expansive open-air feel of the album’s opener, “Safe Passage,” comes as sweet liberation. The bassist and composer took the production in a bossa nova-inspired direction, assembling an electro-acoustic quartet of himself, Brazilian guitarist Chico Pinheiro, guitarist Steve Cardenas and drummer Allan Mednard for the June 2021 sessions, which were engineered by Matt Balitsaris and mixed in pristine-sounding hi-res audio. As Ben Allison says in the liner notes to Moments Inside, the serene and uplifting music he wrote for this pandemic-era project, his 14th album as a leader, filled a profound need in him. ![]() Within 10 seconds of dropping the needle on this one, the well-being center of my brain starting telling me, “You need to listen to this music as often as possible.” It was an “ ahh” moment, like a Gatorade after a 10K - a replenishing source of something essential that had been depleted, or gone missing, in me. ![]()
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